Deadhead

Tie-dye swirl, lightning-bolt skull, dancing bears tumbling across the canvas — Deadhead wears its colors the way a 1977 Cornell poster wears them: loud, layered, unbothered. If you came up on bootleg tapes and lot scenes outside Red Rocks, the nod is built in. If you didn't, the artwork still pulls you in on its own terms.

In the hand it's a 6/9 SLIDE, and the split is sharper than the paint job suggests. Fast side throws a true 6 — clean release, predictable carry, no surprise drift on a hot board. Flip to the oatmeal herringbone-weave carpet and the bag grabs hard, the kind of stop that holds a four-bagger stacked behind a blocker. Trippy face, serious chassis.

Deadhead is for the player who never throws the same set twice and somehow still ends up at the hole. You wander, you read the board, you trust the line — and the score keeps climbing. What a long strange trip it's been. Pick it up and find your way.